Skims is giving Tracy Nguyen a bigger seat at the table. The intimate apparel label founded by Kim Kardashian and Jens Grede has promoted Nguyen to chief communications officer, a newly created position that widens her responsibilities across the brand.

Nguyen, who joined Skims in 2024 as executive vice president of communications and entertainment, will continue to oversee global communications while also taking charge of entertainment, sports and brand partnerships. According to the report, she has played a key role in shaping Skims’ communications strategy and helping build the brand’s cultural profile. One of her most notable contributions was helping steer the Skims x Nike partnership, after which she was named co-general manager of the venture in 2025. She will keep that NikeSkims role as part of her expanded remit.

In her new position, Nguyen will also lead celebrity, talent and sports partnerships, along with brand collaborations and cultural activations. The move underscores Skims’ continued push to position itself at the intersection of fashion, entertainment and sport. Kardashian praised Nguyen as a trusted advisor and said the promotion reflects confidence in her strategic and creative instincts, while Grede called the expansion of her role a natural next step for the company.

Nguyen is based in New York and reports to Kardashian and Grede. Before joining Skims, she served as chief brand officer for KKW Brands beginning in 2017, working closely with Kardashian across her business interests. She also co-founded Industry Public Relations, where she spent more than a decade, and previously held roles at People’s Revolution, 5W Public Relations and Sunshine Sachs.

Source: wwd.com

The post Skims Promotes Tracy Nguyen to Chief Communications Officer appeared first on toppoptoday.com.

Bubble has tapped Diana Rubin as its first chief marketing officer, adding a new senior role to the Gen Z-focused skincare brand’s leadership team. Rubin will begin on Monday and report directly to founder Shai Eisenman.

In her new post, Rubin will oversee Bubble’s marketing direction, with the goal of supporting expansion and strengthening the brand’s standing in the beauty market. Eisenman described the hire as a major step for the company, saying Rubin brings a strong blend of skincare knowledge, brand intuition and commercial discipline.

Rubin arrives from Sol de Janeiro, where she most recently served as vice president and head of marketing at the L’Occitane Group label. Before that, she spent years in roles at Kiehl’s, YSL Beauty and Lancôme, giving her a long track record across major beauty names.

Rubin said she sees Bubble as being at an important point in its growth, pointing to the brand’s connection with consumers and its accessible approach to skincare. She said she looks forward to working with Eisenman and the team to widen Bubble’s reach, deepen engagement and drive the next phase of growth. Eisenman also said Bubble has decided to remain independent after previously exploring potential deals with Centerview Partners, and added that the brand will continue to focus on leading a new generation of skincare consumers.

Source: wwd.com

The post Bubble Appoints Diana Rubin as Its First Chief Marketing Officer appeared first on toppoptoday.com.

With artificial intelligence now able to handle much of the job-application process, the face-to-face interview has become even more important in fashion hiring. According to the report, employers and applicants are both navigating new questions about how much AI should be used, and whether it can blur the line between polish and authenticity. Daniel Peters, who founded Fashion Minority Report after working at Burberry and Selfridges, says candidates who lean too heavily on AI may struggle to speak naturally about their own experience once they are in the room.

For students and recent graduates, that makes the interview a rare chance to stand out. The article notes that AI-generated applications can make candidates look increasingly similar, while an in-person meeting allows designers to bring something tangible to the table. Parsons graduate Quinn Fertig says she values interviews because she can present physical work, especially since her designs rely heavily on texture and color. Career advisers also encourage applicants to show their process, while creative director Nicolas Aburm of Area emphasizes that candidates should be precise about their contributions rather than overstating what they did.

What you wear is part of the conversation

In fashion, interview dressing is not treated as a minor detail. Fertig says she plans her outfits carefully and often wears her own designs, even describing one pleated skirt she made for a pitch competition before going on to win it. She believes dressing in a way that reflects the company is important, and that clothing can help break the ice while also revealing how a candidate thinks creatively. In her view, an outfit can function almost like an extension of a portfolio, showing a manager how someone translates ideas into form.

The report also highlights how storytelling can shape an interview. Peters argues that AI may open doors for applicants who are neurodivergent or otherwise underserved, but he still encourages candidates to build a clear narrative around who they are and what they can do. He points to personal histories, family craft traditions, and early creative experiences as useful material. He also cites Tavi Gevinson’s early fashion blogging as an example of a self-made journey that created momentum. Finally, headhunter James Stuart advises job seekers to research employers as carefully as companies research them, including the culture and leadership style of the organization.

Source: vogue.com

The post What Fashion Interviewers Really Want to See, According to Industry Insiders appeared first on toppoptoday.com.

Alo is taking another step beyond its roots in activewear with the debut of its first sunglasses collection. The Los Angeles-based wellness brand has introduced six styles that were designed in Los Angeles and handcrafted in Japan, adding eyewear to a growing accessories business that already includes footwear and Italian-made handbags.

Priced between $250 and $375, the collection includes rectangle, skinny oval, cat-eye, aviator and wire-frame options, plus a sportier wraparound speed shape. The sunglasses are being sold through Alo’s website and Alo Sanctuary stores around the world, with South Korea excluded from the rollout.

The launch reflects what Alo chief design and merchandising officer Abby Gordon describes as “luxury wellness,” a brand direction meant to connect everything from studio clothes to the bag someone carries and the sunglasses they wear on the way out the door. According to the report, Alo sees eyewear as a natural test of that idea, especially as the brand continues to build recognition beyond leggings and matching workout sets.

Alo has been expanding carefully for several years. It entered footwear in 2023 with the Recovery Mode sneaker and later widened that category into lifestyle, performance and recovery styles. In 2025, the company moved further into high-end accessories with handbags made in Italy and priced from $1,200 to $3,600. For this latest category, Alo chose Japan for its long-standing reputation in frame-making and acetate craftsmanship.

The sunglasses are made with Takiron acetate, and some styles feature palladium or gold-plated hardware. Each frame is hand-polished rather than machine-finished, a detail the company says adds depth and shine. The collection took years to develop, and Alo ultimately decided to launch with six familiar silhouettes instead of a larger assortment, signaling a measured approach to its entry into luxury eyewear.

Source: wwd.com

The post Alo Steps Into Luxury Eyewear With Its First Sunglasses Collection appeared first on toppoptoday.com.

Daisy Edgar-Jones is already setting the tone for her upcoming Sense and Sensibility press run with a look that quietly nodded to historical dressing. The actor stepped out on Thursday, July 16 in a dramatic Vivienne Westwood gown that mixed the label’s familiar structure with a more unexpected striped finish.

Designed by Andreas Kronthaler for the Fall 2026 collection, the dress featured a fitted bodice and a full, gathered skirt, but its brown-and-tan diagonal stripes gave it a fresh twist. The print ran from the top of the gown to the raw hem, while the waist was pulled in to create a more sculptural shape. The result included an asymmetrical skirt, a thigh-high slit, and a bustle-like back.

Though the look echoed the kind of period references often associated with Jane Austen adaptations, it leaned more toward the era that followed Sense and Sensibility than the Regency styling usually tied to Austen. Rather than wearing the runway version with knit sleeves and slouchy brown boots, Edgar-Jones and stylist Dani Michelle finished the outfit with pointed white heels. They added Boucheron earrings shaped like feathers with drop pearls, along with Estée Lauder beauty touches.

The film, directed by Georgia Oakley, is set to arrive on October 16, with a September 25 release in the United Kingdom. Edgar-Jones plays Elinor Dashwood opposite Esmé Creed-Miles as Marianne Dashwood.

Source: harpersbazaar.com

The post Daisy Edgar-Jones Teases Her ‘Sense and Sensibility’ Era in a Brown-and-Tan Vivienne Westwood Gown appeared first on toppoptoday.com.

Matty Healy and Gabbriette Bechtel’s wedding brought together a notably stylish crowd at Castillo del Lago in Los Angeles, and the guest looks reflected the couple’s stated old-Hollywood-meets-gothic mood. Among the first arrivals were Charli XCX and her husband, George Daniel, who both dressed in head-to-toe black in a way that still felt unmistakably their own.

Charli chose a ruffled black wrap gown with a plunging neckline and a thigh-high slit, finishing the look with Jimmy Choo Love slingbacks, a black clutch, and square-framed Bulgari sunglasses. Daniel kept to a classic monochrome suit with shirt and tie, matching the formal tone of the evening while staying streamlined and understated.

Other guests also followed the dark, polished brief in different ways. Devon Lee Carlson wore a vintage Roberto Cavalli dress in gray and black cheetah print, while Sydney Carlson opted for a beaded cream-and-black flapper-style dress. Alex Consani appeared in a black slip decorated with crystal flowers and butterflies, and Stassie Karanikolaou wore a body-skimming black gown cinched with braided ropes. Gabbriette, meanwhile, wore a voluminous white bridal look with a sweetheart neckline, sculpted bodice, ruffled sleeves, a full skirt, and an embroidered train, along with a long sheer veil, while Healy wore a black tuxedo with a corsage on his lapel.

The report also notes that Charli and Daniel are approaching their one-year wedding anniversary. The pair were married at a London courthouse, where Charli wore a Vivienne Westwood Nova Cora mini with a simple veil and white Jimmy Choo Amita heels. For a second celebration in Sicily, she changed into a sheer Danielle Frankel dress with organza micro petals and baroque pearls, and she later attended Dua Lipa and Callum Turner’s Sicily wedding in a layered sheer black JW Anderson dress. Taken together, the looks underline the idea that wedding dressing does not have to mean softening personal style to fit the occasion.

Source: vogue.com

The post Charli XCX and George Daniel Show How Wedding-Guest Dressing Can Stay True to Personal Style appeared first on toppoptoday.com.

In a personal essay for Vogue, Andrea Javor looks back on the promise and pressure of becoming part of a ready-made family. She says she was 36 when her boyfriend proposed, and that she was already deeply attached to his three young children. For her, the appeal of marriage was tied to the stability she had long wanted after spending much of her childhood moving from school to school. She imagined a permanent home, a settled life, and the chance to build the family structure she had never had.

Javor describes her then-partner as a dependable choice on paper: a father with a steady corporate job and a strong public presence. But the first cracks appeared soon after the wedding, when house repairs exposed a financial imbalance she had not expected. She says she paid her share of the work, only to later learn that the contractor was still owed the full amount. That episode led to a larger discovery that her husband had tens of thousands of dollars in debt that had not been disclosed before marriage.

Even after her parents stepped in to help, she says she stayed because the home and family life she had wanted finally existed. The couple tried to reset their finances in therapy, with her husband agreeing to live on an allowance while she took control of the money. Still, she says the spending problems continued, from unnecessary purchases to unexplained cash withdrawals. Meanwhile, she remained emotionally committed to the daily routines of stepmotherhood, finding herself pulled back in by the small moments of family life.

The turning point came when she caught her husband using her credit card without permission, confirming that the financial trust between them had collapsed. Javor says she felt trapped by the vows she had made not only to her husband, but also to his children. In the end, the arrangement that had once seemed like a dream proved unsustainable, and the marriage ended in less than two years. She connects her experience to Belle Burden’s memoir Strangers: A Memoir of Marriage, which also explores the emotional seduction of giving a spouse control over shared finances.

Source: vogue.com

The post When a Ready-Made Family Comes With a Hidden Price Tag appeared first on toppoptoday.com.

The streets around Fashion Week’s busiest shows are offering a vivid answer to a long-running style question: yes, clashing can look polished. Instead of the muted, monochrome mood that once dominated, street style is leaning into combinations that feel playful, eye-catching, and distinctly personal.

According to the report, the idea of “clash” has a much older meaning, but in fashion it now describes prints and colors that visually collide in unexpected ways. Geometrics sit beside animal prints, reds meet greens, and outfits are built from layers of pattern, texture, and color rather than strict rules. The article notes that this shift stands in contrast to the minimalism that shaped much of the 1990s, when simple staples like white T-shirts, straight jeans, and knitwear became symbols of sophistication.

That earlier preference for restraint has given way to a looser approach to dressing. Seasonal boundaries are fading, with plaid and florals appearing year-round, especially in the street style scenes that surround the twice-yearly collection presentations. While stylists often suggest balancing bold looks with different pattern scales, a shared color palette, or neutral accessories, the piece makes clear that there is no fixed formula for getting it right.

Instead, the appeal of tasteful clashing seems to come from confidence and instinct. The street style images referenced in the report show that the most effective combinations are often the ones that feel individual, eccentric, and a little unexpected. In this moment, fashion’s old rules are being replaced by experimentation.

Source: vogue.com

The post Street Style Makes a Case for Tasteful Clashing appeared first on toppoptoday.com.

Lionel Messi’s latest World Cup milestone came with a family fashion moment to match. After Argentina’s 2-1 semi-final victory over England, his wife, Antonela Roccuzzo, and their children were seen celebrating in coordinated Argentina jerseys while watching from the star’s suite at Atlanta Stadium in Atlanta, Georgia.

The family’s game-day look kept the focus on Messi’s name and number, with Roccuzzo wearing a cropped version of the team shirt. Their children — Thiago, 13, Mateo, 10, and Ciro, 8 — also joined in wearing matching jerseys as they cheered on the football star during the match.

Roccuzzo later shared the celebration on Instagram, posting a photo of the group in their stadium seats and writing in Spanish: “Thank you God!!! Let’s go Argentina!!!! In the final!!!!!!!!!!!!!!!!!!!!!!!!!!!” The post reflected the excitement surrounding Argentina’s path to the final and Messi’s role in getting the team there.

According to the report, Messi delivered two assists in the win, helping set up both goals and pushing Argentina into another World Cup final. The match also added to his long list of tournament achievements, including a sixth World Cup appearance and a chance to become only the second player ever to take part in three World Cup finals.

Argentina’s final is set for Sunday at MetLife Stadium in East Rutherford, New Jersey, where the team will face Spain to close out the 2026 tournament. If the family’s matching outfits are any indication, they’ll be there again, dressed to support him once more.

Source: harpersbazaar.com

The post Messi’s Family Shows Their Support in Matching Argentina Jerseys After His Semi-Final Win appeared first on toppoptoday.com.

A new retreat in Japan is offering a quieter, more considered version of luxury travel. Azuma Farm Koiwai, set in the rural prefecture of Iwate, is wrapped in cedar and red pine and marked by the scent of hinoki wood that runs through its airy main building and compact cabins. The property feels far removed from the crowded tourist circuits that dominate much of Japan’s travel conversation, even though it is only a couple of hours north of Tokyo by bullet train.

The resort is located on the grounds of Koiwai Farm, a century-old private farm known as the largest in Japan and widely recognized for its dairy products. While the setting is agricultural, Azuma itself is intentionally removed from the sounds and smells of a working farm, and there are no animals on the property. The land is described as an idyllic stretch of countryside, with plans to eventually grow vegetables, but for now the emphasis is on landscape, calm, and space.

According to the report, the project was inspired by Adrian Zecha, the hotelier behind Aman, who saw potential in the area’s peaceful atmosphere. Zecha worked with Fumitomo Hayase and the Eastern Japan Railway Company to bring the retreat to life, with the aim of preserving the natural environment while introducing a slower style of hospitality to an underexplored part of the country. The location also reflects a broader effort to draw more visitors to Tohoku, a region that still attracts only a small share of Japan’s tourists.

What gives Azuma Farm a distinctive edge is its connection to local culture. Guests can go horse riding through pastoral landscapes, hike Mount Hachimantai to see the Dragon Eye phenomenon, or take trips to the Sanriku coast, temples, and historic towns. The resort also offers a rare look at Iwate’s Nanbu ironware tradition, including visits to the workshop of 11th-generation ironsmith Koizumi Nizaemon, who demonstrates the centuries-old process and helps guests decorate their own kettle with an original emblem. With Mount Iwate rising above the cabins and the weather shifting dramatically across the seasons, the retreat is designed to showcase a more intimate side of Japan’s countryside.

Source: vogue.com

The post Aman Founder Adrian Zecha’s New Japanese Farm Retreat Brings Slow Luxury to Iwate appeared first on toppoptoday.com.

Skims is giving Tracy Nguyen a bigger seat at the table. The intimate apparel label founded by Kim Kardashian and Jens Grede has promoted Nguyen to chief communications officer, a newly created position that widens her responsibilities across the brand.

Nguyen, who joined Skims in 2024 as executive vice president of communications and entertainment, will continue to oversee global communications while also taking charge of entertainment, sports and brand partnerships. According to the report, she has played a key role in shaping Skims’ communications strategy and helping build the brand’s cultural profile. One of her most notable contributions was helping steer the Skims x Nike partnership, after which she was named co-general manager of the venture in 2025. She will keep that NikeSkims role as part of her expanded remit.

In her new position, Nguyen will also lead celebrity, talent and sports partnerships, along with brand collaborations and cultural activations. The move underscores Skims’ continued push to position itself at the intersection of fashion, entertainment and sport. Kardashian praised Nguyen as a trusted advisor and said the promotion reflects confidence in her strategic and creative instincts, while Grede called the expansion of her role a natural next step for the company.

Nguyen is based in New York and reports to Kardashian and Grede. Before joining Skims, she served as chief brand officer for KKW Brands beginning in 2017, working closely with Kardashian across her business interests. She also co-founded Industry Public Relations, where she spent more than a decade, and previously held roles at People’s Revolution, 5W Public Relations and Sunshine Sachs.

Source: wwd.com

The post Skims Promotes Tracy Nguyen to Chief Communications Officer appeared first on toppoptoday.com.

Bubble has tapped Diana Rubin as its first chief marketing officer, adding a new senior role to the Gen Z-focused skincare brand’s leadership team. Rubin will begin on Monday and report directly to founder Shai Eisenman.

In her new post, Rubin will oversee Bubble’s marketing direction, with the goal of supporting expansion and strengthening the brand’s standing in the beauty market. Eisenman described the hire as a major step for the company, saying Rubin brings a strong blend of skincare knowledge, brand intuition and commercial discipline.

Rubin arrives from Sol de Janeiro, where she most recently served as vice president and head of marketing at the L’Occitane Group label. Before that, she spent years in roles at Kiehl’s, YSL Beauty and Lancôme, giving her a long track record across major beauty names.

Rubin said she sees Bubble as being at an important point in its growth, pointing to the brand’s connection with consumers and its accessible approach to skincare. She said she looks forward to working with Eisenman and the team to widen Bubble’s reach, deepen engagement and drive the next phase of growth. Eisenman also said Bubble has decided to remain independent after previously exploring potential deals with Centerview Partners, and added that the brand will continue to focus on leading a new generation of skincare consumers.

Source: wwd.com

The post Bubble Appoints Diana Rubin as Its First Chief Marketing Officer appeared first on toppoptoday.com.

With artificial intelligence now able to handle much of the job-application process, the face-to-face interview has become even more important in fashion hiring. According to the report, employers and applicants are both navigating new questions about how much AI should be used, and whether it can blur the line between polish and authenticity. Daniel Peters, who founded Fashion Minority Report after working at Burberry and Selfridges, says candidates who lean too heavily on AI may struggle to speak naturally about their own experience once they are in the room.

For students and recent graduates, that makes the interview a rare chance to stand out. The article notes that AI-generated applications can make candidates look increasingly similar, while an in-person meeting allows designers to bring something tangible to the table. Parsons graduate Quinn Fertig says she values interviews because she can present physical work, especially since her designs rely heavily on texture and color. Career advisers also encourage applicants to show their process, while creative director Nicolas Aburm of Area emphasizes that candidates should be precise about their contributions rather than overstating what they did.

What you wear is part of the conversation

In fashion, interview dressing is not treated as a minor detail. Fertig says she plans her outfits carefully and often wears her own designs, even describing one pleated skirt she made for a pitch competition before going on to win it. She believes dressing in a way that reflects the company is important, and that clothing can help break the ice while also revealing how a candidate thinks creatively. In her view, an outfit can function almost like an extension of a portfolio, showing a manager how someone translates ideas into form.

The report also highlights how storytelling can shape an interview. Peters argues that AI may open doors for applicants who are neurodivergent or otherwise underserved, but he still encourages candidates to build a clear narrative around who they are and what they can do. He points to personal histories, family craft traditions, and early creative experiences as useful material. He also cites Tavi Gevinson’s early fashion blogging as an example of a self-made journey that created momentum. Finally, headhunter James Stuart advises job seekers to research employers as carefully as companies research them, including the culture and leadership style of the organization.

Source: vogue.com

The post What Fashion Interviewers Really Want to See, According to Industry Insiders appeared first on toppoptoday.com.

Alo is taking another step beyond its roots in activewear with the debut of its first sunglasses collection. The Los Angeles-based wellness brand has introduced six styles that were designed in Los Angeles and handcrafted in Japan, adding eyewear to a growing accessories business that already includes footwear and Italian-made handbags.

Priced between $250 and $375, the collection includes rectangle, skinny oval, cat-eye, aviator and wire-frame options, plus a sportier wraparound speed shape. The sunglasses are being sold through Alo’s website and Alo Sanctuary stores around the world, with South Korea excluded from the rollout.

The launch reflects what Alo chief design and merchandising officer Abby Gordon describes as “luxury wellness,” a brand direction meant to connect everything from studio clothes to the bag someone carries and the sunglasses they wear on the way out the door. According to the report, Alo sees eyewear as a natural test of that idea, especially as the brand continues to build recognition beyond leggings and matching workout sets.

Alo has been expanding carefully for several years. It entered footwear in 2023 with the Recovery Mode sneaker and later widened that category into lifestyle, performance and recovery styles. In 2025, the company moved further into high-end accessories with handbags made in Italy and priced from $1,200 to $3,600. For this latest category, Alo chose Japan for its long-standing reputation in frame-making and acetate craftsmanship.

The sunglasses are made with Takiron acetate, and some styles feature palladium or gold-plated hardware. Each frame is hand-polished rather than machine-finished, a detail the company says adds depth and shine. The collection took years to develop, and Alo ultimately decided to launch with six familiar silhouettes instead of a larger assortment, signaling a measured approach to its entry into luxury eyewear.

Source: wwd.com

The post Alo Steps Into Luxury Eyewear With Its First Sunglasses Collection appeared first on toppoptoday.com.

Daisy Edgar-Jones is already setting the tone for her upcoming Sense and Sensibility press run with a look that quietly nodded to historical dressing. The actor stepped out on Thursday, July 16 in a dramatic Vivienne Westwood gown that mixed the label’s familiar structure with a more unexpected striped finish.

Designed by Andreas Kronthaler for the Fall 2026 collection, the dress featured a fitted bodice and a full, gathered skirt, but its brown-and-tan diagonal stripes gave it a fresh twist. The print ran from the top of the gown to the raw hem, while the waist was pulled in to create a more sculptural shape. The result included an asymmetrical skirt, a thigh-high slit, and a bustle-like back.

Though the look echoed the kind of period references often associated with Jane Austen adaptations, it leaned more toward the era that followed Sense and Sensibility than the Regency styling usually tied to Austen. Rather than wearing the runway version with knit sleeves and slouchy brown boots, Edgar-Jones and stylist Dani Michelle finished the outfit with pointed white heels. They added Boucheron earrings shaped like feathers with drop pearls, along with Estée Lauder beauty touches.

The film, directed by Georgia Oakley, is set to arrive on October 16, with a September 25 release in the United Kingdom. Edgar-Jones plays Elinor Dashwood opposite Esmé Creed-Miles as Marianne Dashwood.

Source: harpersbazaar.com

The post Daisy Edgar-Jones Teases Her ‘Sense and Sensibility’ Era in a Brown-and-Tan Vivienne Westwood Gown appeared first on toppoptoday.com.

Matty Healy and Gabbriette Bechtel’s wedding brought together a notably stylish crowd at Castillo del Lago in Los Angeles, and the guest looks reflected the couple’s stated old-Hollywood-meets-gothic mood. Among the first arrivals were Charli XCX and her husband, George Daniel, who both dressed in head-to-toe black in a way that still felt unmistakably their own.

Charli chose a ruffled black wrap gown with a plunging neckline and a thigh-high slit, finishing the look with Jimmy Choo Love slingbacks, a black clutch, and square-framed Bulgari sunglasses. Daniel kept to a classic monochrome suit with shirt and tie, matching the formal tone of the evening while staying streamlined and understated.

Other guests also followed the dark, polished brief in different ways. Devon Lee Carlson wore a vintage Roberto Cavalli dress in gray and black cheetah print, while Sydney Carlson opted for a beaded cream-and-black flapper-style dress. Alex Consani appeared in a black slip decorated with crystal flowers and butterflies, and Stassie Karanikolaou wore a body-skimming black gown cinched with braided ropes. Gabbriette, meanwhile, wore a voluminous white bridal look with a sweetheart neckline, sculpted bodice, ruffled sleeves, a full skirt, and an embroidered train, along with a long sheer veil, while Healy wore a black tuxedo with a corsage on his lapel.

The report also notes that Charli and Daniel are approaching their one-year wedding anniversary. The pair were married at a London courthouse, where Charli wore a Vivienne Westwood Nova Cora mini with a simple veil and white Jimmy Choo Amita heels. For a second celebration in Sicily, she changed into a sheer Danielle Frankel dress with organza micro petals and baroque pearls, and she later attended Dua Lipa and Callum Turner’s Sicily wedding in a layered sheer black JW Anderson dress. Taken together, the looks underline the idea that wedding dressing does not have to mean softening personal style to fit the occasion.

Source: vogue.com

The post Charli XCX and George Daniel Show How Wedding-Guest Dressing Can Stay True to Personal Style appeared first on toppoptoday.com.

In a personal essay for Vogue, Andrea Javor looks back on the promise and pressure of becoming part of a ready-made family. She says she was 36 when her boyfriend proposed, and that she was already deeply attached to his three young children. For her, the appeal of marriage was tied to the stability she had long wanted after spending much of her childhood moving from school to school. She imagined a permanent home, a settled life, and the chance to build the family structure she had never had.

Javor describes her then-partner as a dependable choice on paper: a father with a steady corporate job and a strong public presence. But the first cracks appeared soon after the wedding, when house repairs exposed a financial imbalance she had not expected. She says she paid her share of the work, only to later learn that the contractor was still owed the full amount. That episode led to a larger discovery that her husband had tens of thousands of dollars in debt that had not been disclosed before marriage.

Even after her parents stepped in to help, she says she stayed because the home and family life she had wanted finally existed. The couple tried to reset their finances in therapy, with her husband agreeing to live on an allowance while she took control of the money. Still, she says the spending problems continued, from unnecessary purchases to unexplained cash withdrawals. Meanwhile, she remained emotionally committed to the daily routines of stepmotherhood, finding herself pulled back in by the small moments of family life.

The turning point came when she caught her husband using her credit card without permission, confirming that the financial trust between them had collapsed. Javor says she felt trapped by the vows she had made not only to her husband, but also to his children. In the end, the arrangement that had once seemed like a dream proved unsustainable, and the marriage ended in less than two years. She connects her experience to Belle Burden’s memoir Strangers: A Memoir of Marriage, which also explores the emotional seduction of giving a spouse control over shared finances.

Source: vogue.com

The post When a Ready-Made Family Comes With a Hidden Price Tag appeared first on toppoptoday.com.

The streets around Fashion Week’s busiest shows are offering a vivid answer to a long-running style question: yes, clashing can look polished. Instead of the muted, monochrome mood that once dominated, street style is leaning into combinations that feel playful, eye-catching, and distinctly personal.

According to the report, the idea of “clash” has a much older meaning, but in fashion it now describes prints and colors that visually collide in unexpected ways. Geometrics sit beside animal prints, reds meet greens, and outfits are built from layers of pattern, texture, and color rather than strict rules. The article notes that this shift stands in contrast to the minimalism that shaped much of the 1990s, when simple staples like white T-shirts, straight jeans, and knitwear became symbols of sophistication.

That earlier preference for restraint has given way to a looser approach to dressing. Seasonal boundaries are fading, with plaid and florals appearing year-round, especially in the street style scenes that surround the twice-yearly collection presentations. While stylists often suggest balancing bold looks with different pattern scales, a shared color palette, or neutral accessories, the piece makes clear that there is no fixed formula for getting it right.

Instead, the appeal of tasteful clashing seems to come from confidence and instinct. The street style images referenced in the report show that the most effective combinations are often the ones that feel individual, eccentric, and a little unexpected. In this moment, fashion’s old rules are being replaced by experimentation.

Source: vogue.com

The post Street Style Makes a Case for Tasteful Clashing appeared first on toppoptoday.com.

Lionel Messi’s latest World Cup milestone came with a family fashion moment to match. After Argentina’s 2-1 semi-final victory over England, his wife, Antonela Roccuzzo, and their children were seen celebrating in coordinated Argentina jerseys while watching from the star’s suite at Atlanta Stadium in Atlanta, Georgia.

The family’s game-day look kept the focus on Messi’s name and number, with Roccuzzo wearing a cropped version of the team shirt. Their children — Thiago, 13, Mateo, 10, and Ciro, 8 — also joined in wearing matching jerseys as they cheered on the football star during the match.

Roccuzzo later shared the celebration on Instagram, posting a photo of the group in their stadium seats and writing in Spanish: “Thank you God!!! Let’s go Argentina!!!! In the final!!!!!!!!!!!!!!!!!!!!!!!!!!!” The post reflected the excitement surrounding Argentina’s path to the final and Messi’s role in getting the team there.

According to the report, Messi delivered two assists in the win, helping set up both goals and pushing Argentina into another World Cup final. The match also added to his long list of tournament achievements, including a sixth World Cup appearance and a chance to become only the second player ever to take part in three World Cup finals.

Argentina’s final is set for Sunday at MetLife Stadium in East Rutherford, New Jersey, where the team will face Spain to close out the 2026 tournament. If the family’s matching outfits are any indication, they’ll be there again, dressed to support him once more.

Source: harpersbazaar.com

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A new retreat in Japan is offering a quieter, more considered version of luxury travel. Azuma Farm Koiwai, set in the rural prefecture of Iwate, is wrapped in cedar and red pine and marked by the scent of hinoki wood that runs through its airy main building and compact cabins. The property feels far removed from the crowded tourist circuits that dominate much of Japan’s travel conversation, even though it is only a couple of hours north of Tokyo by bullet train.

The resort is located on the grounds of Koiwai Farm, a century-old private farm known as the largest in Japan and widely recognized for its dairy products. While the setting is agricultural, Azuma itself is intentionally removed from the sounds and smells of a working farm, and there are no animals on the property. The land is described as an idyllic stretch of countryside, with plans to eventually grow vegetables, but for now the emphasis is on landscape, calm, and space.

According to the report, the project was inspired by Adrian Zecha, the hotelier behind Aman, who saw potential in the area’s peaceful atmosphere. Zecha worked with Fumitomo Hayase and the Eastern Japan Railway Company to bring the retreat to life, with the aim of preserving the natural environment while introducing a slower style of hospitality to an underexplored part of the country. The location also reflects a broader effort to draw more visitors to Tohoku, a region that still attracts only a small share of Japan’s tourists.

What gives Azuma Farm a distinctive edge is its connection to local culture. Guests can go horse riding through pastoral landscapes, hike Mount Hachimantai to see the Dragon Eye phenomenon, or take trips to the Sanriku coast, temples, and historic towns. The resort also offers a rare look at Iwate’s Nanbu ironware tradition, including visits to the workshop of 11th-generation ironsmith Koizumi Nizaemon, who demonstrates the centuries-old process and helps guests decorate their own kettle with an original emblem. With Mount Iwate rising above the cabins and the weather shifting dramatically across the seasons, the retreat is designed to showcase a more intimate side of Japan’s countryside.

Source: vogue.com

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